Daniel, my friend’s son, recently graduated with a degree in Architecture at the University of Newcastle upon Tyne. I chatted with him last week about the experience and the conversation reminded me just how complex architecture can be and how I admire those who master the profession. I always stand in awe when I look up at the work of the medieval stonemasons, the fore-runners of modern architects, such as Salisbury Cathedral. All this with only contemporary tools and instruments. It also recalled a great watercolour of the interior of the cathedral, by JMW Turner, I have enjoyed viewing occasionally – Interior of Salisbury Cathedral looking towards the North Transept.

Turner, better known for his illuminating landscapes was also a brilliant draughtsman, becoming Professor of Perspective at the Royal Academy. This water colour in particular is a view of the north transept looking underneath the tower crossing. Turner’s understanding of the perspective and tone is exquisite. I have stood several times at this spot in admiration of the stone mason’s mastery and the artists great handling of perspective, even once trying to copy (unsuccessfully). The commission was for Sir Richard Colt Hoare (1758-1838), the eminent Wiltshire antiquary and archaeologist. The artist started work on this impressive study in 1801, but it was not completed until 1805.* What I like about Turner’s watercolours is his rich interpretation of colour. He always seem to extract hues that we fail to grasp. Here we see the great building in a glaze of summer afternoon warmth.

The painting is owned by the British Library, but held in the collection of The Salisbury Museum, opposite the Cathedral, however, currently not on display due to major refurbishment works. There are very good prints in the museum shop, very reasonably priced though!

*If I had spent five years on the study instead of 30 minutes the result may have been different