Magritte’s surrealistic ideas of the mid twentieth century epitomise’s that period’s growing interrelationship between language and visual representation. It is my favourite and easiest example to see how philosophy’s obsession with language and truth filters into the visual arts. “This is not a pipe”, Magritte says but it clearly is… and then again it is…

It is two years since I was in Venice for the autumn term studying medieval tombs and contemporary art. Pre pandemic it seemed a different time with the only things to worry about being floods and industrial action from the lecturers. Hey Ho – what’s new. But it did make me think about the wonderful…

Compton Verney in Warwickshire provided a very enjoyable visit three years ago, taking in Op Art and some wonderful works by Bridget Riley. Her works were also a very valuable artistic juxtaposition to the Barbara Hepworth retrospective we visited in Wakefield earlier this year. So it was a great delight finding her being interviewed by…

Les Deux Garçons features in my current header painting. The painting has special memories of our time in Provence eating in this very fine restaurant in Aix. But also of meeting the artist at an exhibition at Broadway. He was also a regular exhibitor at The Llewelyn Alexander Gallery in London.  Jeremy Barlow was a…